What happens if you use police composite sketch software on descriptions of characters from literature? This is what happens.
What happens if you use police composite sketch software on descriptions of characters from literature? This is what happens.
The brain-meltingly amazing trailer for Angelmaker. ‘nuff said.
Harkaway is the author of the previously-linked “Gone-Away World” — Angelmaker is available now from Amazon UK. I am so excited for my copy to arrive, holy shit.
I just finished reading The Gone-Away World, Nick Harkaway’s first book. Colin pimped it heavily to me for quite a while, and I even read the first chapter of his copy last year, but I only now got my own copy.
It’s sort of a sci-fi book about the apocalypse and war and hazmat truckers and identity and reality and pancakes, but it’s really hard to describe when you try it like that, so instead I’m just going to quote the narrator’s discourse on sheep from chapter five:
A war zone is a bad place to be a sheep. It’s not a good place to be anything, but sheep generally are a bit stupid and devoid of tactical acumen and individual reasoning, and they approach problem-solving in a trial-and-error kind of a way. Sheep wander, and wandering is not a survival trait where there are landmines. After the first member of the flock is blown up, the rest of the sheep automatically scatter in order to confuse the predator, and this, naturally, takes more than one of them onto yet another mine, and there’s another woolly BOOM-splatterpitterslee-eutch, which is the noise of an average-sized sheep being propelled into the air by an anti-personnel mine and partially dispersed, the largest single piece falling to earth as a semi-liquidised blob. This sound of its concomitant reality upsets the remaining sheep even more, and not until quite a few of them have been showered over the neighborhood do they get the notion that the only safe course is the reverse course. By this time, alas, they have forgotten where that is, and the whole thing begins again. BOOM.
The first corollary of this is that sheep are a nightmare if you’re trying to construct a perimeter defence, because they can end up cutting a path right through it and leaving themselves in pieces as markers showing the cleared route to all comers. For this reason, many military officers now order a mass execution of unsecured sheep when fortifying a position, incidentally incurring the deep displeasure of local shepherds and creating yet another group of grumpy, armed persons who will shoot at anything in a uniform. Knowing this, George Copsen has taken a pro-sheep position, in the vague hope that Baptiste Vasille or Ruth Kemner will begin the ovicide (which may or may not be the official word for a killing of sheep) and suffer the consequences. So far, it hasn’t happened, and a kind of steely cold war of livestock has developed in which we drive sheep toward the other forces in the hope of triggering a slaughter, and they drive them at us with very much the same in mind. An unofficial book is being made on which area commander will snap first, and the betting heavily favours Ruth Kemner, who is apparently something of a scary lady.
The second corollary, which is more interesting in an academic sense, but utterly irrelevant in the real world, is that sheep surviving for a prolonged period in a heavily mined area will gradually evolve, and left long enough would develop into more intelligent, combat-hardened sheep, possibly with sonar for probing the earth in front of them, extremely long legs for stepping over suspect objects and large flat feet to distribute pressure evenly and avoid activating the fuse. A warsheep would be a cross between a dolphin and a small, limber elephant.
The sheep currently surrounding us have not yet had time to evolve physically, and in the meantime have evolved behaviours and coping strategies instead. They follow humans quite precisely, walk slowly and the flock unit has been replaced by a loose-knit affiliation of individual sheep carefully watching each other for signs of suddenly flying into the air and getting spread all over the place. Some have started walking in single file. Loud bangs no longer scare them, or possibly they have gone deaf, and there is a sharp, alert feeling about them which suggests they know exactly where they have just stepped and can retreat along their own hoofprints quite readily. The march of progress has reached even unto the sheep of Addeh Katir.
Read this book.
This is a sculpture of Al Khazneh at Petra carved out of a stack of books by Guy Laramee. This comes from Biblios, one of his two series of landscapes and architecture carved out of books (the other is The Great Wall). Bunch of pics on his site, check them out.
Here’s the first paragraph of his artist statement:
The erosion of cultures – and of “culture” as a whole – is the theme that runs through the last 25 years of my artistic practice. Cultures arise, become obsolete, and are replaced by new ones. With the vanishing of cultures, some people are displaced and destroyed. We are currently told that the paper book is bound to die. The library, as a place, is finished. One might say: so what? Do we really believe that “new technologies” will change anything concerning our existential dilemma, our human condition? And even if we could change the content of all the books on earth, would this change anything in relation to the domination of analytical knowledge over intuitive knowledge? What is it in ourselves that insists on grabbing, on casting the flow of experience into concepts ?
ATLAS SHRUGGED Inadvertently Releases Collector’s Item
Press release from the folks behind the Atlas Shrugged film adaptation:
Atlas Productions LLC announced today its plan to replace more than 100,000 title sheets appearing on the Atlas Shrugged Part 1 DVD and Blu-ray versions sold through major retail outlets. These retail versions were packaged with an inaccurate synopsis of Atlas Shrugged. Not affected were the “Special Edition” versions sold online at AtlasShruggedMovie.com.
The 1957 novel, Atlas Shrugged, is known in philosophical and political circles for presenting a cogent argument advocating a society driven by rational self-interest. On the back of the film’s retail DVD and Blu-ray however, the movie’s synopsis contradictorily states “AYN RAND’s timeless novel of courage and self-sacrifice comes to life…”
Whoops!
‘The Bippolo Seed’: The ‘Lost’ Dr. Seuss Stories
Lynn Neary, NPR:
Every now and then a treasure-trove of seemingly “lost” literature is discovered. The latest such find is a collection of stories by Theodor Geisel, better known as Dr. Seuss. Seuss scholars and collectors have known about these stories for a while, but fans will have the chance to read them in a new book to be released by Random House next fall[, The Bippolo Seed and Other Lost Stories].
…
These are stories that have already been published. Dr. Charles Cohen, a Massachusetts dentist with a passion for all things Dr. Seuss, simply managed to collect them all in one place.
“They came out in the ’50s in magazines,” Cohen explains. “And then when the next month’s magazine would come in, people would throw away the old one. And those stories were forgotten. And literally it’s been 60 years for some of these stories and very few people have seen them.”
The book came out today. Grab it at Amazon.com or whatever other retailer you find appropriate.
Secret used bookstore operating out of an Upper West Side apartment
Amy Zimmer, DNAinfo:
Michael Seidenberg wasn’t ready to give up his love of selling second-hand books even after rental pressures forced his store, Brazenhead Books, out of business.
So, he set up shop — secretly — in an Upper East Side apartment.
“It is a second hand bookshop in every way, but it’s not on the street,” Seidenberg explains in a three-minute video, “There’s No Place Like Here: Brazenhead Books.”
This guy is keeping it real.
I’ve never read anything by Lois Duncan but I love these covers. Very Saul Bass; I approve.
(photo credit: Colleen AF Venable)
Actually, “STFU” is an Initialism, Not an Acronym.
Remember that an acronym is pronounced as a single word, whereas an initialism is pronounced as a series of letters. So when you say “I’ve got an acronym for you, buddy: STFU!”—well, you’re actually working to erode that distinction. It’s not as if one can pronounce the word “stuh-foo” or something. That would sound quite ignorant.
What’s that? You say you want me to “literally” shut my fucking face?
McSweeney’s is just fantastic.
Michael Chabon on “The Phantom Tollbooth”
Michael Chabon:
To this day when I happen to write those or any other of the words that I remember having first seen in The Phantom Tollbooth, I get a tiny thrill of nostalgia and affection for the wonderful book, and for its author, and for myself when young, and for the world I then lived in.
It is truly difficult to sum up how I feel1 about this wonderful book and its equally wonderful movie adaptation — but I do know that The Phantom Tollbooth was one of the books that taught me to enjoy not just the events the book was relating (I read more than my share of Boxcar Children and Beverly Cleary books) but to enjoy the book-as-artifact: the words of a book could be just as powerful and as enjoyable and as funny as the story.
It is truly a book that, as Chabon so delightfully describes, can (and did, at least for me) initiate a life-long love of the English language. For me, that love continued on not just with similarly pun-ish books like the Wayside School series but also in igniting a thirst for similarly mind-expanding words and constructs, which lead me to strive to read far above my school-prescribed reading level. Like the time, at age 11, when I read through Arthur C. Clarke’s Rama books without really quite understanding what was going on; or trying desperately, at age 8, to read The Fellowship of the Ring — The Hobbit being another dog-eared classic — but being unable to get through the difficult and downright scary bits at the beginning; or when I and my elementary school cohorts (‘Ili included) attempted to read the entirety of such classic texts of English literature such as: