I was just reminded of how awesome the credits theme from Namco’s 2003 PS2 RPG Venus & Braves, “Cup of Story,” is.
Composed by Masako Oogami, with guitar by Takanori Goto and sax by Yuichiro Noro.
I was just reminded of how awesome the credits theme from Namco’s 2003 PS2 RPG Venus & Braves, “Cup of Story,” is.
Composed by Masako Oogami, with guitar by Takanori Goto and sax by Yuichiro Noro.
http://www.youtube.com/watch?v=qrQbkjhrANs
Just watch this trailer for Robot and Frank. Make sure to make it all the way through. Holy shit. In theaters Sept 19, apparently.
Lonesome George, last-of-his-kind Galapagos tortoise, dies
Reuters:
Lonesome George, the last remaining tortoise of his kind and a conservation icon, died on Sunday of unknown causes, the Galapagos National Park said. He was thought to be about 100 years old.
…
George was believed to be around 100 years old and the last member of a species of giant tortoise from La Pinta, one of the smallest islands in the Galapagos, the Galapagos National Park said.
A very sad day. :(
Nick “Nario” Hagman has completed the Genesis version of Sonic the Hedgehog 2 entirely on a dance pad. He has previously completed Ninja Gaiden NES and a heck of a lot of other games.
Yes, this video is ninety minutes long. This is because it contains Sonic 2 from start to finish played on a dance pad.
When My Crazy Father Actually Lost His Mind
Jeneen Interlandi, writing in the New York Times Magazine:
We were on something like the 15th round of rummy, and my father was winning decisively. He cracked a wide, toothy grin as he laid his cards on the table. “That’s 321 for BaBa, and 227 for String Bean,” he said, tallying the ledger we were keeping on a piece of scrap paper.
Before he finished writing the numbers, he began a rapid succession of anecdotes about his first car. And his second. And his third. He reached for a magazine to show me the vintage Mustang he said he was planning to buy my mother for their 45th wedding anniversary, which, he reminded me, was just six months away. Then he began speaking Sicilian, instructing me to repeat after him: “Napeladan mangia pane!” (“People from Naples eat bread.”) “Calabrese testa dura!” (“People from Calabria have thick heads.”) My father has the most amazing blue eyes, and right then they were wide and eager, like an overexcited child’s. He was rambling, and the inflections of his voice betrayed sheer manic joy. It was a mood completely incongruous with our setting.
We were playing our card game at the Psychiatric Emergency Screening Services, or PESS, a small locked-down unit in the community hospital near my parents’ apartment in Somerville, N.J. Harsh fluorescent lighting fell on cracked and faded yellow walls. A disheveled, rail-thin woman paced and wept in the room across the way. Down the hall, a police officer guarded locked double doors.
Absolutely gripping article. Weaves together the story of her father’s harrowing battle with bipolar disorder, the story of her and her family trying to navigate the health care and court system for the mentally ill, and the history of health care for the seriously mentally ill in the US. Really can’t stop gushing about this piece, you guys.
http://www.youtube.com/watch?v=CC7Sg41Bp-U
Some time between 1932 and his death in 1955, someone recorded Albert Einstein briefly explaining the principle of mass-energy equivalence, described by the equation E = mc².
Walter Chaw, Film Freak Central, in his review of Abraham Lincoln: Vampire Hunter:
I used to think there were movies that were so bad they were good—I’m coming around to the idea that those movies are just good and that these movies are just bad.
I agree. So-bad-it’s-good is totally bullshit.
We do need to mince words a bit here — but trust me when I say it’s not my fault. A film (or anything really) can be poorly crafted and still be enjoyable. Too often we wonder if a work of art is “good” — i.e. holding it up to some sort of platonic ideal. Or maybe we’re trying to gauge the reaction of our peers — some sorta tribal monkey thing.
Whatever the reason, my feeling is this: if you enjoyed the movie, it was good. To be frank, if you were having a good time, the movie was probably doing more right than you realized. Take Shotgun (1989). This movie has some ponderous, no, truly awful dialogue. And yet I still had an absolute blast watching it. The action sequences were actually pretty good; the plot, while bizarre, held my interest; I even laughed with the movie in one or two places, rather than at it.
But more than that, I was picking up what Shotgun was putting down. I felt like it was saying something I wanted to hear at least. There’s a lot of complicated shit going on in Shotgun about sex and kink and power. I have no idea whether or not the creators of Shotgun intended any of that, but that’s really beside the point — the point being that I had a good time watching the movie and had a good time talking about it afterwards with my buddy Vincent. What more could one possibly ask from a movie?
Of course, none of what I’m saying is new or novel. Play us off, Duke Ellington:
There are two kinds of music. Good music, and the other kind.
This is “Vista Aerea de la Ciudad de Mexico XIII,” a photo taken by Pablo López Luz of Mexico City in 2006.
It’s like the city is an ocean.